Difference between revisions of "So it goes"
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This installation was developed for a one evening event which took place on the 11th floor of an abandoned office building. 26 artists where asked to create a small piece of max 3 min. All these pieces were to be shown or performed in consecutive order. The event was organized by [http://www.2m3.be/archives/2m3--w-o-l-k-e/ 2m3] and took place in the beginning of 2014 in Brussels.<br>''So it goes...'' was my contribution to this event. In the main corridor of the space, the original suspended ceiling was modified. Like in many office buildings the ceiling consisted of small strips of metal attached to a suspended framework. Some of the individual strips were removed from the framework and equipped with electromagnets to hold them in place on the ceiling. From a computer the electromagnet on each individual strip could be controlled. Switching off the power would cause a strip to come down. | This installation was developed for a one evening event which took place on the 11th floor of an abandoned office building. 26 artists where asked to create a small piece of max 3 min. All these pieces were to be shown or performed in consecutive order. The event was organized by [http://www.2m3.be/archives/2m3--w-o-l-k-e/ 2m3] and took place in the beginning of 2014 in Brussels.<br>''So it goes...'' was my contribution to this event. In the main corridor of the space, the original suspended ceiling was modified. Like in many office buildings the ceiling consisted of small strips of metal attached to a suspended framework. Some of the individual strips were removed from the framework and equipped with electromagnets to hold them in place on the ceiling. From a computer the electromagnet on each individual strip could be controlled. Switching off the power would cause a strip to come down. | ||
| − | The installation was activated at an in between moment at which people were moving from one performance to the other. Although there was some staging to make sure people would not be harmed. It began with a couple of individual strips falling | + | The installation was activated at an in between moment at which people were moving from one performance to the other. - Although there was some staging to make sure people would not be harmed. - It began with a couple of individual strips falling at intermittent timing. This to grab peoples attention. Once the corridor was filled with people seeing what was happening, the remaining strips all came down. At which moment the corridor lights went out. Immediately followed by a chiming sound and coloured light coming from the ceiling. |
As this installation is all about living the moment or experiencing the present time, the accompanying quote comes from Kurt Vonnegut's Slaughterhouse 5, in which a tralfamadorian explains Billy Pilgrim how to deal with experiencing reality in four dimensions, being able to perceive past, present and future at at any point in time. | As this installation is all about living the moment or experiencing the present time, the accompanying quote comes from Kurt Vonnegut's Slaughterhouse 5, in which a tralfamadorian explains Billy Pilgrim how to deal with experiencing reality in four dimensions, being able to perceive past, present and future at at any point in time. | ||
''"All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it by the moment, and you will find that we are all, as I've said before, bugs in amber."''<br> | ''"All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it by the moment, and you will find that we are all, as I've said before, bugs in amber."''<br> | ||
| − | + | We are completely scheduled in and not really able to get a handle on the present. We live in a continuous now enabled by email, twitter, facebook, the so-called real time technological shift. Everything is always on, happening now. Yet this now seems elusive, something we can never quite reach. Our digital selves and our analog bodies are not really in sync, however much technology has accelerated the rate at which we attempt to do things. It's more of a diminishment of anything that isn't happening right now - and the onslaught of everything that supposedly is. | |
The individual's ability to get a handle on the present - to experience duration, to resist the condition of time as product, ... | The individual's ability to get a handle on the present - to experience duration, to resist the condition of time as product, ... | ||
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''Documentation'' | ''Documentation'' | ||
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''The following is a registration made on the evening of the event.'' | ''The following is a registration made on the evening of the event.'' | ||
<videoflash type="vimeo">85600141|800|450</videoflash> | <videoflash type="vimeo">85600141|800|450</videoflash> | ||
| − | ''The following is a registration made | + | ''The following is a registration made a couple of days later without an audience.'' |
Revision as of 00:38, 27 August 2014
"Well, here we are Mr Pilgrim, trapped in the amber of this moment. There is no why."
- Kurt Vonnegut, Slaughterhouse Five
This installation was developed for a one evening event which took place on the 11th floor of an abandoned office building. 26 artists where asked to create a small piece of max 3 min. All these pieces were to be shown or performed in consecutive order. The event was organized by 2m3 and took place in the beginning of 2014 in Brussels.
So it goes... was my contribution to this event. In the main corridor of the space, the original suspended ceiling was modified. Like in many office buildings the ceiling consisted of small strips of metal attached to a suspended framework. Some of the individual strips were removed from the framework and equipped with electromagnets to hold them in place on the ceiling. From a computer the electromagnet on each individual strip could be controlled. Switching off the power would cause a strip to come down.
The installation was activated at an in between moment at which people were moving from one performance to the other. - Although there was some staging to make sure people would not be harmed. - It began with a couple of individual strips falling at intermittent timing. This to grab peoples attention. Once the corridor was filled with people seeing what was happening, the remaining strips all came down. At which moment the corridor lights went out. Immediately followed by a chiming sound and coloured light coming from the ceiling.
As this installation is all about living the moment or experiencing the present time, the accompanying quote comes from Kurt Vonnegut's Slaughterhouse 5, in which a tralfamadorian explains Billy Pilgrim how to deal with experiencing reality in four dimensions, being able to perceive past, present and future at at any point in time.
"All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it by the moment, and you will find that we are all, as I've said before, bugs in amber."
We are completely scheduled in and not really able to get a handle on the present. We live in a continuous now enabled by email, twitter, facebook, the so-called real time technological shift. Everything is always on, happening now. Yet this now seems elusive, something we can never quite reach. Our digital selves and our analog bodies are not really in sync, however much technology has accelerated the rate at which we attempt to do things. It's more of a diminishment of anything that isn't happening right now - and the onslaught of everything that supposedly is. The individual's ability to get a handle on the present - to experience duration, to resist the condition of time as product, ...
Documentation
The following is a registration made on the evening of the event. The following is a registration made a couple of days later without an audience.
