http://atkn.org/wiki/index.php?title=Aargh&feed=atom&action=historyAargh - Revision history2024-03-29T15:52:48ZRevision history for this page on the wikiMediaWiki 1.33.4http://atkn.org/wiki/index.php?title=Aargh&diff=3913&oldid=prevAtkn at 08:00, 27 November 20152015-11-27T08:00:40Z<p></p>
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</table>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3912&oldid=prevAtkn at 08:00, 27 November 20152015-11-27T08:00:17Z<p></p>
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</table>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3911&oldid=prevAtkn at 08:00, 27 November 20152015-11-27T08:00:05Z<p></p>
<p>Can't load revision 3911</p>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3903&oldid=prevAtkn at 07:06, 27 November 20152015-11-27T07:06:47Z<p></p>
<p>Can't load revision 3903</p>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3892&oldid=prevAtkn at 23:37, 26 November 20152015-11-26T23:37:31Z<p></p>
<p>Can't load revision 3892</p>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3886&oldid=prevAtkn at 14:31, 26 November 20152015-11-26T14:31:58Z<p></p>
<p>Can't load revision 3886</p>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3860&oldid=prevAtkn at 12:58, 26 November 20152015-11-26T12:58:19Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''<small>layout & text for the catalogue of the convergence festival<del class="diffchange diffchange-inline">[[txt4convergence]]</del></small>''</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''<small>layout & <ins class="diffchange diffchange-inline">[[txt4convergence|</ins>text<ins class="diffchange diffchange-inline">]] </ins>for the catalogue of the convergence festival</small>''</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2015 I was working as a resident at [http://www.overtoon.org/ Overtoon], a platform for research, production and distribution of sound art and sound-based installation art. During my residency I developed a site specific work site for the 9th floor of the office building Overtoon occupied. <br>This particular building stands high and free in the city center of Brussels. Wind has a big impact on it. Already on a regular day, opening windows on opposite sides of the building, turns the offices into drafty spaces. On a more windy day you strongly hear the effect of the wind inside the building. The howling of the wind in staircases and shafts. The whistle of the wind through cracks, cavities and fissures. <br>In my installation I tried to use the energy created by the wind as a force or input to create a sound installation . </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2015 I was working as a resident at [http://www.overtoon.org/ Overtoon], a platform for research, production and distribution of sound art and sound-based installation art. During my residency I developed a site specific work site for the 9th floor of the office building Overtoon occupied. <br>This particular building stands high and free in the city center of Brussels. Wind has a big impact on it. Already on a regular day, opening windows on opposite sides of the building, turns the offices into drafty spaces. On a more windy day you strongly hear the effect of the wind inside the building. The howling of the wind in staircases and shafts. The whistle of the wind through cracks, cavities and fissures. <br>In my installation I tried to use the energy created by the wind as a force or input to create a sound installation . </div></td></tr>
</table>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3859&oldid=prevAtkn at 12:57, 26 November 20152015-11-26T12:57:26Z<p></p>
<p>Can't load revision 3859</p>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3844&oldid=prevAtkn at 11:57, 26 November 20152015-11-26T11:57:19Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>======Wolfgang Von Kempelen======</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>======Wolfgang Von Kempelen======</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This 18th century's Austrian inventor [https://en.wikipedia.org/wiki/Wolfgang_von_Kempelen Wolfgang Von Kempelen] is probably most famous for his invention of the [https://en.wikipedia.org/wiki/The_Turk mechanical Turk], a chess playing automaton, a far reaching and elaborate hoax. The story goes that he invented the mechanical turk to impress Maria Theresia, Empress of Austria, to give him the money to work on a manual operated speech synthesizer. While it took him 6 months to finish the mechanical Turk, he spent almost 20 years <del class="diffchange diffchange-inline">to develop </del>a representational and functional model of the human vocal tract. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This 18th century's Austrian inventor [https://en.wikipedia.org/wiki/Wolfgang_von_Kempelen Wolfgang Von Kempelen] is probably most famous for his invention of the [https://en.wikipedia.org/wiki/The_Turk mechanical Turk], a chess playing automaton, a far reaching and elaborate hoax. The story goes that he invented the mechanical turk to impress Maria Theresia, Empress of Austria, to give him the money to work on a manual operated speech synthesizer. While it took him 6 months to finish the mechanical Turk, he spent almost 20 years <ins class="diffchange diffchange-inline">researching and working on </ins>a representational and functional model of the human vocal tract<ins class="diffchange diffchange-inline">. In 1789 he published his 20 years of research in : '[https://books.google.be/books?id=W75CAQAAMAAJ&redir_esc=y Mechanismus Der Menschlichen Sprache Nebst Beschreibung Seiner Sprechenden Maschine]'. He could be considered as one of the pioneers of speech synthesis</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Von Kempelen's machine used a bellow, that drives a reed, much like a reed drives the pipes of an organ. The sound of the vibrating reed is modulated by a resonator. A mechanical copy of lungs, glottis and vocal cavity. Dat zijn de drie essentiele onderdelen. Ook in de instrumentenbouw, zoals bijvoorbeeld in een kerkorgel, vind je die drie elementen terug. Tijdens mijn residentie bij overtoon wil ik onderzoek voeren naar deze drie elementen. In eerste instantie hoe deze te ontwikkelen in functie van de specifieke klanken waar ik naar op zoek ben. En dan in tweede fase een onderzoek naar een ruimtelijke en beeldende benadering.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Von Kempelen's machine used a bellow, that drives a reed, much like a reed drives the pipes of an organ. The sound of the vibrating reed is modulated by a resonator. A mechanical copy of lungs, glottis and vocal cavity. Dat zijn de drie essentiele onderdelen. Ook in de instrumentenbouw, zoals bijvoorbeeld in een kerkorgel, vind je die drie elementen terug. Tijdens mijn residentie bij overtoon wil ik onderzoek voeren naar deze drie elementen. In eerste instantie hoe deze te ontwikkelen in functie van de specifieke klanken waar ik naar op zoek ben. En dan in tweede fase een onderzoek naar een ruimtelijke en beeldende benadering.</div></td></tr>
</table>Atknhttp://atkn.org/wiki/index.php?title=Aargh&diff=3843&oldid=prevAtkn at 11:51, 26 November 20152015-11-26T11:51:03Z<p></p>
<p>Can't load revision 3843</p>Atkn